New Mediaist Internet Marketing

  • home
  • about the author
  • contact
  • glossary
Home › Blogs › Ari's blog

Menu

Blog Topics

  • Advertising
  • Analytics
  • Authority
  • Blog Topics
  • Blogroll
  • buzz
  • Canada
  • email
  • Entrepreneurship
  • Ethics
  • Film
  • Gaming
  • General
  • Law
  • Mobile
  • Open Source
  • P2P
  • PPC
  • RFID
  • SEO
  • Social
  • Social Media
  • Strategy
  • Technology
  • Theory
  • TV
  • Uncategorized
  • Usability
  • Videos
  • Web2

User login

  • Create new account
  • Request new password

Navigation

  • Recent posts

The branding of authority – The HFPA & Golden Globes (Part 1 of 2)

Submitted by Ari on Tue, 01/16/2007 - 04:50.

(How did the HFPA, a group of seemingly insignificant people,
gain such authority with their Golden Globe award show? More
importantly, how can other brands emulate their success?)

Golden Globe
The 2007 Golden Globe awards
were on TV last night. I didn’t watch the show for two reasons:
firstly, it conflicted with 24, and frankly Jack Bauer’s antics take
precedent over everything but the death of a parent (maybe). Secondly,
I don’t really care what The Hollywood Foreign Press Association (HFPA) thinks of this year’s movies.

Although there is a large group of rabid 24 fans
who agree with my first point, it turns out that I am actually in the
minority with my second. The Golden Globe Awards is considered by many
to be the second most important entertainment award show.

So why does anybody give a damn what the HFPA thinks?

Wait, let’s start with the basics.

Who exactly are the HFPA?
According to Wikipedia, the HFPA, the group which operates the Golden
Globes, was set up in 1943 by foreign entertainment journalists based
in Hollywood.

According to The New York Times,
the HFPA “functions like an exclusive club, admitting a maximum of five
new members a year, though more often…accepting only one. Any single
member may object to a new member, making it extremely difficult to
join. The association does not represent internationally renowned
publications like Le Monde or The Times of London — indeed, it has
repeatedly rejected applications from a Le Monde correspondent, while
accepting applications from freelance writers from Bangladesh and South
Korea”.

Some other fun points of interest:

  • The organization has a total of 92 members (source)
  • According to Wikipedia, “As of 2004, some are in their nineties, several others in their eighties.”
  • Only about one-third of the HFPA are full-time film journalists.
    None represent Africa. Members include Jack Tewksbury (writes for
    French readers), Ali Sar (Russian!?), Ron Krueger (Japan!!?), and Ray
    Arco (China, Romania and Singapore!!??!!) (source)
  • The Golden globes previously lost its television contract with CBS
    because it was discovered judges’ decisions were being influenced by
    bribes (source)

If you are interesting in more Golden Globe bashing, check out the documentary film, “Hollywood’s Dirty Little Secret”.

Back to the focus of this article: to try and learn something from
the fact that a seemingly unimpressive organization has established a
significant amount of respect and authority.

I’m looking for anyone’s ideas as to how the Golden Globes and HFPA
became so authoritative and influential in the entertainment business.
I’m also looking for insight into how marketers can build similar
authority for their brands. I have a few ideas which I’ll be sharing in
Part 2 of this article, but would really be interested in what you have
to say (feel free to use the comment section)

Also, just a reminder: On Jack Bauer’s Tax Returns, he has to claim the entire world as his dependants.

  • Authority
  • Film
  • Strategy
  • TV
  • Ari's blog
  • Add new comment

Submitted by New Media Blogger » The branding of authority (not verified) on Mon, 02/05/2007 - 02:28.

[...] recommend you read Part 1 of this post before continuing, as otherwise I may come off as a conspiracy theory crazed [...]

  • reply

Submitted by Hollywood Holmes (not verified) on Tue, 01/16/2007 - 05:46.

The magic of the Golden Globes a few very smart relationships by the Hollywood Foreign Press. They made a deal with Dick Clark who saw the value in a televised award show, and worked with NBC to get it exposure and promotion. It's well timed to occur when the prestige movies of the year have been released (as opposed to the Oscars, which until a few years ago took place in March, after those films were long gone from theatres), and audiences are hungry for some awards and some glamour. They also teamed with Merv Griffin to host the ceremony at his Beverly Hills hotel, which is gorgeous and well located. As well, rather than design another stuffy awards show, they purposely organized it to be the most fun party of the year: No theatre seating and quiet observation. It's round tables with friends sitting together, and plenty of alcohol flowing. Stars have fun and want to show up. To top this off, the show is good for audiences because it's all about stars. While sound effects editors are a vital part of the filmmaking process, the average viewer doesn't want to sit through the technical awards. So they get beautiful people, and lots of them, on stage.

  • reply
  • home
  • about the author
  • contact
  • glossary

Bottom Nav Menu

  • Privacy Policy
  • Site map